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Michael began his exploration of storytelling beyond his own memory, but the medium of film struck his attention shortly after his first viewing of Danny Boyle's 28 Days Later... To his memory, it was the first film that he experienced, an interaction with the art that exceeded the normal capacity of watching. Having been taken with the art form since he realized that it could be tooled towards immersive and experiential storytelling, Michael still considers himself an oddity of a director and producer in the industry and much prefers the label of "storyteller". Willing to approach gritty, human stories, saturated in hard to express, pervasive emotional content, Michael goes above and beyond the standardized-silver screen of moving actors and choreographing camera to instead orchestrate a symphony of dynamic sound design, flawlessly interwoven through novel composition with the intent of generating an atmosphere so immersive and so capturing, the audience can do nothing but sit back and experience the story in its purest and rawest form: the big screen.
